3 is my guess

“Three is my guess. Three or three-thirty,” said the man in a bright yellow polo tucked into khaki shorts. He drifted by our window, circled his car and stopped to lean against the guard rail. Two older women sat inside — one with a Tom Clancy novel spread across her lap, the other eating a bag of tortilla chips as she searched for a cooler of beer.

“Think they’ll be cold?” said the woman.

The man laughed. “Not a chance.”

Two miles up 1-80, a car was on fire. Behind us, were two more accidents. “That’s what happens when people slam the brakes on a two-lane highway,” said the man to no one in particular.

Beyond the guard rail was a drop off, a steep ravine lined with pine trees bending up to the clear, blue sky. I kicked off my shoes. The hot cement felt good pressed against the arches of my feet.

A car door slammed. A family of three jogged by — sweating. The woman in front of us let out a shrill yelp, tipping a beer can back, frothy liquid dribbling down her cheeks.

“Time to go!!” she shrieked.

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Cafe Disco

Fans of The Office love the show for the jaw clenching moments of missed social cues and over the top irreverence. Ironically, the greatest perpetrator is the boss himself. Self-centered and clueless, Michael Scott gives us a million reasons to roll our eyes.

Despite his antics, Michael is able to gain the loyalty of his subordinates. While his corporate peers try to wrangle profits, Michael focuses his attention on birthday celebrations and recreational non sequitors, like Cafe Disco.

In Season 5 Michael uses a vacant space directly beneath Dunder Mifflin to play disco and iron out his awkward dance moves. He outfits the space with an espresso machine and a set of portable speakers. When the new receptionist goes looking for Michael, she finds him caffeinated and flailing.

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With shots of espresso and Everybody Dance Now blaring through an air-vac, Michael tries to lure the rest of his co-workers out of their desk chairs, but despite a few tapping toes, they’re hesitant to cut loose. Just as Michael is on the verge of giving up, his caffeine buzz lapsing, he hears the muffled tones of a disco beat and rushes downstairs to see Cafe Disco in full swing.

Anyone who’s sat stoically in a dry meeting has at one time or another, fantasized about Cafe Disco. Maybe not exactly to Michael’s specs — espresso and dance music — but a brief reprieve from the safe harbors of marinating on a few action items, for something more fabulous.

Which got me going on a Cafe Disco playlist featuring a track from a Nightmares on Wax Boiler Room set, a Deliceuse Musique premier and a little something jacked from WalterCronkTight’s DJ playlist.

Just Let Go of Your Shoulders

I haven’t even finished Svend Brinkmann’s Stand Firm and yet his ideas have become a driving force in my day to day routine over the last few weeks. It’s his awareness of the present moment that’s moved me – or my days, depending on how you look at it – and his recognition that, “anything that could happen in your life, could happen today.”

Since shopping that phrase around, a crescendo of events has piled up, some positive, some negative, but most assuredly all happening in the current moment – the razor sharp now.

Which, without a doubt, is a good place to be. To celebrate I got a playlist going to take you into the weekend. We’ve got a bit of Tahoe (h/t Waltercronktight), a recent Bangers and Mash addition, and a Soundcloud classic that’s been bouncing around forever but never made it into a post.

Just For Kicks – An Interview with Perry Gershkow

Once in awhile, a perfectly good surf film gets ruined by a shit soundtrack. Fortunately, Perry Gershkow, a San Francisco based filmmaker, has eerily similar music taste to The Aftmth, and his recent film, Just For Kicks, features artists like Future Islands, Ruby Haunt, and Avid Dancer.

I’m always curious, do the visuals come first? Or does a specific sound inspire a director’s eye? We were lucky enough to ask Gershkow a few questions about how he struck such a harmonious chord.

Watch Just For Kicks here.

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For a project like Just For Kicks, what’s your process for selecting music?

Without the right music, surf films would be boring to watch, even to the surfer’s eye. For each section of every surf film, it’s important to find the mood you want to go with.  When you figure out what sort of mood you want your audience to be in while watching this section, then that’s where you can start finding music. With so much music out there, I wanted something that would create emotion as well as something that would get people excited.

You chose two Ruby Haunt songs. When did you first hear them? Why do you think their music works so well here?

Luckily, my buddy Victor Pakpour is in the band Ruby Haunt. He’s also a fellow filmmaker and a damn good one. His music possesses an emotion that I really think works for the parts I’ve been putting together, especially for this film.  I used some of their music in my last film, and people really enjoyed it. They came out with some new tracks this past year so I immediately was drawn to using their music again.

How do you discover new music?

Discovering new music is definitely a tricky hobby.  There are so many different kinds of music out in the world that it can be tough to narrow it down to something I can use for my films.  For me, I have a certain sound that I go for.  Being in the industry for a while, I’ve been able to make friends with people in really good bands.  For instance, two of the songs in the film are from a good friend Sara Damert, who scored these two songs for the film.  She has a very unique voice, which I think is crucial to have for originality.

Parcels ~ Anotherclock Live @ Lollapalooza Afterparty, Berlin

Tiny Desk concerts give us a rare, unfiltered experience of an artists capabilities. Sitting just a few feet away, we’re keenly aware of imperfections, or more simply put, eager to point out what parts of a song don’t sound like the studio version. We lock onto what’s missing.

But sometimes, a good live performance reveals more than it entertains. As is the case with T-Pain’s Tiny Desk show, which shows that in the absence of autotune Buy U A Drank can be a luscious, tender melody. All that empty space, intimate and oxygen rich, brings the song to life.

Parcels, an Australian band living in Berlin, thrives at this sonic trick. With some dexterous hands on the keyboard, a steady rhythm section, and a groove that fuses Fleetwood Mac with Daft Punk, Parcel’s glittery synth-pop is hypnotizing. There’s no clutter, despite having five band members, Instead they’re slick, minimalistic, and brash – characteristics that are only amplified in a live setting.

Be sure to follow Parcels closely. Especially when they make their return to the U.S. And who knows… maybe a Tiny Desk concert is in their future.

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A Deeper Understanding of Who I Am

‘More of the same’ is a common musical chirp wielded by “the internet’s busiest music nerd,” Anthony Fantano. Eyes rolling, hands in the air, he’s used the label to dull releases from Future Islands and ODESZA, and despite the initial urge to rush to their defense, it’s hard to counter.

New Future Islands sounds like old Future Islands. ODESZA will always sound like metal clattering through a rain storm. The alternative, and what Fantano must be looking for, is musical reinvention, exemplified best by Childish Gambino, who with his most recent album, Awaken My Love, vaulted himself from nasally rapper to bonafide soul-king.

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The War on Drugs’ latest release, A Deeper Understanding (2017) is no sonic revolution. We hear the familiar sounds of dad rock – delay pedals, fuzzy guitars and Adam Granduciel’s crooning voice. Unsurprisingly, Fantano isn’t having it.  But having induced a nostalgic fervor with their last album, Lost In The Dream (2014), it’s possible that when it comes to The War on Drugs, more of the same is exactly what we want.

On A Deeper Understanding, frontman, Adam Granduciel, takes more musical risks and we travel further into the band’s sonic headspace, a place mired by pain.

“I met a man with a broken back / he had a fear in his eyes I could understand.”

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Many tracks surpass the six minute mark, a holy metric for classic rock songs with dizzying solos, easy to fill, but difficult to pull off.  Nonetheless, Granduciel goes for greater heights, unafraid to scrape the zenith of his guitar playing abilities.

But the true potential of A Deeper Understanding may be in its reception. Just warranting a review on The Needle Drop is an odd form of recognition – whether the review is good or bad, people notice. So much so that The War on Drugs are launching into the mainstream, inhabiting places like 107.7 “The Bone” and 98.9 WCLZ, where Granduciel will continue tapping into their main source of power – nostalgia.