Adventure of the Weeks, Content, elgringo, Writing

Long Days & Loud Music

“Well are you excited?”  This was Maine, said by everyone. My responses were affirmative, but always with a bit of unintentional hesitance. There were still some major pieces of the puzzle to fall in place, and things had come together too quickly to really grasp. I couldn’t help but sound uncertain.

But then there I was, packing Old Blue to the brim with clothes, shoes, skis, camping gear, and saying a hard goodbye to my parents. The excitement of the road ahead hit me; it was Go time.

**

“I’m so glad to know that you exist.”  This was Chicago, said by Harry’s girlfriend. Apparently for years the two of them had a running joke that my existence was fabricated – that I was a cover up for him to chat on the phone with another girl rather than an old friend. She was delighted to be proven wrong.

Illinois, Iowa, and Nebraska blend together for a long, flat, and unchanging few days. The general perception of Middle America is not wrong – the landscape is boring, and the air smells like manure; and yet, there is beauty to be found in sepia-tone cornfields under a late summer glow.

**

“I don’t know if you’ll reach California today, son.”  This was Utah, said by a hefty fellow named Glenn. I looked around the waiting room and wondered how long I’d be stuck there. Blue was hurting, and I couldn’t continue until she got checked out. On the bright side, I was surprised I made it as far as Utah without the car sputtering. It almost felt required that this would happen.

Seven hours and one painful invoice later, I zoomed through the mesmerizing Bonneville salt flats and the Nevada desert. I was delayed, but thankful to get the auto work done. The music got louder and the speed limits higher; all eyes were on the final state ahead.

**

“Well, welcome to California!”  This was Truckee, said by the woman behind the counter, inquiring about my East-coast license plates. The state border had snuck up on me, and before I knew it I was pulling over for coffee, surrounded by the majestic Sierras.

It was now, finally in the air of my new state, that I could reflect on it all: the past six months, the whirlwind of September – during which I slept in fifteen different locations, the Boston chapter behind me and the California chapter ahead.

I suddenly wished I could go back to everyone who had asked if I was excited.

Hell yeah I was excited.

**

 

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Adventure of the Weeks, Chayed Out, D-Man, Mixed Bag, Music, Stuff Besides Music

One Fast Move or I’m Gone

“Duncan?” said a voice in the doorway.

I turned to see a young, Asian man wearing a black leather jacket. His hair was spiked like a mountaintop and his leather boots were worn and dusty. He moved into my room and introduced himself as, “the guy moving in.”

I welcomed him. Surprised he was here so early. My lease wasn’t up until the next day. But he set his motorcycle helmet on a dusty dresser and began surveying the room.

**

There was a leaning tower of clothes, a stack of valuables (my passport, a knife wrapped in a stuff sack and a collection of birthday cards) and a pile of uncategorized stuff – dusty soccer cleats, an expired ID and an orange t-shirt with a rip through the chest.

The move was a chance to embrace minimalism. To enter a headspace where possessions were just material things, like empty beer bottles. But by grouping everything into piles, I’d magnified the emotional impact. I was no longer just throwing away a pennant flag but the entire 2004 Red Sox World Series.

“What’s the plan for the dings on the wall?” said the new guy, running a fingernail over one of the divots.

There were a network of scratches, mostly from tacks and nails jammed into the wall to support a string of prayer flags stretched across the room. I told him to take it up with the landlord. The larger dents in the wall weren’t mine though. I’d inherited them. The new guy snapped a few photos, muttering something about, “due diligence.”

He moved towards the window and eyed a reddish stain. I’d tried scrubbing it off but the wine must have set into the wood. Years ago, I’d kicked over a bottle of red while eating dinner with my girlfriend. I didn’t own any furniture at the time so we sat on the floor, legs crossed like Indian chiefs.

I offered some of the remaining furniture to the new guy. I’d found most of it on the sidewalk. But he shook his head and clasped his hands behind his back. He had blueprints for a new layout and as soon as I left, he was going to cover the walls with a fresh coat of grey paint.

The new guy motioned towards the leftover dresser and offered to help move it out to the street. So we took out the drawers and lifted, using the edges to maneuver through the front door, dropping the dresser by the trash.

“It’ll be gone in minutes,” I said. “Nothing lasts long in this neighborhood.”

It was true. Earlier I’d left thirty pound dumbbells by the curb to load into the car. Five minutes later they disappeared.

“How is the neighborhood around here?” the new guy asked, glancing at the apartments across the street.

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I told him it was ok and thought about the night someone threw a vodka bottle through our front window. The house had also survived two shootings – drive by’s that chopped up our front door with pockmarks. And most mornings the ground shimmered with broken glass from car windows getting beat to a pulp.

“Well, I have a scooter so I should be fine,” said the new guy. He must have seen me eyeing a shattered window.

The sun was getting low and I sensed that I only had a few more minutes, maybe seconds left. Cars sped up the hill, drivers squinting as they accelerated. Turk Street framed the setting sun, cradling it like a pearl.

I turned and jogged back inside to grab as much as I could from the three piles on the floor. I stuffed the Red Sox pennant and prayer flags into an empty guitar case. Out in the hall I could hear the new guy breathing steadily. He leaned on a squeaky floorboard and repeated something about a safety hazard. I heard the click of his camera.

He shook my hand as I walked out of the front door for the last time. A car pulled into the driveway next door. I leaned down to see if it was my pot smoking neighbor. He liked to sit out there rolling doobies. We usually exchanged head nods. My way of letting him know I wasn’t an asshole. Then, one day he rolled down his window as I climbed on my bike, and shouted something through a smoky haze.

“Hey cowboy! You riding off into the sunset?”

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Adventure of the Weeks, Chayed Out, D-Man, Mixed Bag, Writing

Something for Me

***

***

As is often the case, the obvious choice was clear. It was safe. Reliable. Less likely we’d botch a Saturday.

Ocean Beach has a direct line to the Pacific. Highly exposed to South Swells, it picks up the smallest traces of energy. And with its impressive sandbars (two), it amplifies that oceanic power, sometimes opening up passageways for surfers to slip through to some other-worldly place.

OB was the call. It had to be.

At least that’s what the app said. Like most things these days, Surfline’s forecasting tools use data to predict the future. An equation is created, fine-tuned, greased and oiled, until a desired success rate is achieved. The hypothesis matches the outcome. A science teacher shakes with satisfaction.

Screw romantic waxing, adventure ain’t the same! Increased accessibility means more people. More people mean more crowds. And more crowds mean statistically there’s a higher chance of surfing next to an asshole.

So, we went against reason and drove to China Beach, a small sliver of sand East of the Golden Gate Bridge, known more for the elderly Eastern European swimmers that inhabit its frigid waters, than for its surf.

Quietly we slipped into neoprene suits and paddled a hundred feet down the coast. Just out of sight, past black swatches of seaweed, recoiling, swirling, Medusa-like, long and monstrous, was a tiny wave.

It’s a weird wave – the takeoff spot fingertips from the point. You paddle towards barnacles and seaweed, harnessing the tidal energy just before it breaks, swerving left to avoid boils in the water.

At first I was afraid. It didn’t make sense. I was used to the one-dimensional approach of Ocean Beach. I pictured rocks raking out the bottom of my surfboard. But after a few lefts, I began to ease into the routine, moving closer and closer to the point, where the wave first started to break.

Not once did I think about Ocean Beach, which was probably firing amid hoots and hollers from a jacked-up lineup. I’d discovered something far more interesting. Something that was tangibly my own.

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Adventure of the Weeks, Chayed Out, Flowebro, Mixed Bag, Stuff Besides Music, Video

Motion in the South

Motion in the South from The Aftermath Music on Vimeo.

‘As little kids we used to catch him staring. Unblinking and wide eyed, he’d watch couples argue at our favorite Chinese restaurant. We ridiculed him for staring, telling him it was weird and unnerving, but years later I’m realizing that even at a young age he was just a keen observer with an eye for critical details.

This same razor-sharpe awareness for people and place is evident in a recent edit he made about his study abroad experience in South Africa, earning him a spot as the Adventure of the Week.’

——

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Pool daze

Pool daze from The Aftermath Music on Vimeo.

Do you ever hear a song and daydream about the visuals that should accompany the melody? I do. And did this past weekend when a few friends drank beers and laid all-lazy-like in the hot Granite Bay sun.

Shout out to T&E for the jam.

The New Basement Tapes – Down on the Bottom

 

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Adventure of the Weeks, Chayed Out

Nanä -Polo & Pan

Summer in San Francisco is a lonely affair. It’s cloudy. It’s windy. Fog reigns. Even the Sunset district, curled up next to Ocean Beach, gets dismal and settles into gloomy hibernation, suddenly self conscious of its cracked sidewalks and sagging roofs.

Francois and my brother visit, both from warmer climates. We drink too much for old times sake but get lost in the dizzying effects of the booze, waking from restless sleep with dry throats, suddenly aware that it’s almost time to go back to our separate realities. Pull the chair closer to the desk. Start anew.

But for now we hike above the clouds and the sunlight makes the dry grass gold – warm -we’re suddenly aware of how big it all is. The vast space spans further than we can see.

We cross the Golden Gate, orange and strong, and I start to feel summer is ending, fall beginning. Frankie puts on a song, Nana, and we bounce into the city. From East to West, Nana delivers a bit of familiar energy – weird and lovable – melancholic but comforting.

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Adventure of the Weeks, Chayed Out, D-Man, Video

Tame Impala – The Moment

Yesterday marked the anniversary of Tame Impala’s 2015 release, Currents. To celebrate, the band announced they’re working on a deluxe edition of Currents and unreleased B-sides. Basically, new music is on its way.

The announcement inspired me to take some old GoPro footage that was collecting dust on my hard-drive and pair it with Tame Impala’s “The Moment”, a loud, somewhat jarring declaration that, it’s getting closer.

For me it is the weekend. And it’s always getting closer.

5:31 p.m. from The Aftermath Music on Vimeo.

———-

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Dusty is as Dusty Does

Jaed tilted his plastic helmet back a bit to reveal the top of his forehead. The bottoms of his jeans were wet from weaving in between moguls.

“Dropping!!”

He angled his skis and approached the first jump, his wind breaker from Goodwill crackling in the wind.

“Watch, he’s gonna eat shit,” said a pimply snowboarder next to me, tapping his buddy’s shoulder.

Jaed was airborne. The telemark bindings released his heels and he sprung forward, flying through the air – lethal and daring. His skis tapped the rail and spun 180 degrees, landing backside.

“Whoa.” Behind a fire iridium lens the teenager slunk off.

“It’s not the bow, it’s the Indian.” – Owen Smith, Zen master and expert Go player

Years later I thought about Jaed’s snow-soaked jeans as I walked towards a South Swell in Venice, CA, Costco wavestorm in hand.

A few locals circled in the water, their eyes darting from the hunk of foam in my hand to my cotton t-shirt.

Dusty, they thought.

A decent sized right hander appeared out the back and I held my ground, resisting the temptation to paddle.

Late drop…

Yeeeeee! I took off smiling, my wet t-shirt slapping up against my chest and tomahawked over the glassy, open face, the wave engulfing me in a washing machine of sand and salt.

———-

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Sweet Alchemy

I bought a girl a rose this weekend. It was on impulse, a last-minute apology, a chance to stick out from the other glassy eyed guys offering her shots. It was also her birthday.

I gave her the rose, any edge of embarrassment blunted by the requisite surge of shots I slugged before the Uber. She inhaled, smiled, thanked. We talked, she laughed, I drank.

The night sped and the bar surged around us. Around her. But she remained motionless, rose gripped in one hand, clutch in the other. Friends and strangers extended dancing hands and clouded drinks, but she reproached all comers.

Behind pretty eyes, hesitation scintillated. The ugly trio of self-pessimism: doubt, fear and loathing guarded her every movement. Those bastards seep through even the heaviest masks of makeup.

Thirty minutes later she was gone. What she’s looking for I do not know, but it won’t be wrought from the sweet alchemy of another night, another bar, another round. This, at least, we have in common.

As my roommate and I made to leave, I saw the rose, slightly battered and entirely forgotten on the sticky bar top. I took it with me and gave it to the Mexican girl working the midnight shift at the burger joint down the road. She tucked it behind her ear.

———-

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Tribal Need

I didn’t recognize him until we made eye contact for the second time.

I remember being as infatuated with Riccardo Moretti’s eyes as I was his music, which says allot, considering his performance combines synths, percussion, hang, beat-boxing, loop, and didjeridoo.

It was the way he was scanning the crowd, seeking out the passionate listener, and then locking eyes with them, establishing a rare and personnel connection between the listener and the performer, a treasure to bring home.

I had been that passionate listener, sitting at an old Mill deep in Cape Town, absorbed by Moretti’s creativity and style. He sat barefoot on the ground, crouched over his synth, ringed by his various sounds. His posture gave way to his instruments, but his eyes stayed loyal to his listeners.

Four weeks later, I’m sitting at a long wooden table in Jerry’s Burger Bar, surrounded by tattoo artists and skateboarders. I feel a tap on my shoulder and a man asks me if anyone is occupying the table space to my left. He sets down his belongings and begins to wait for a friend.

Minutes later, we both throw a poorly timed sideways glance at one another and lock eyes for a quick second, and I suddenly realize that this is a second occasion.

A fascinating man and a friendly character, Moretti, ‘the Electro Nomad’, is a refreshing breath of air in the world of electronic music, which has become overrun by artists who crouch behind a computer, adjusting their beats and sounds with the click of a mouse. For this reason, Moretti see’s the world of EDM on the verge of collapse, and is striving to be on the forefront of progressive musicianship.

Moretti laughs with me and explains that if your audience has to be rolling or tripping to enjoy your show, you must improve your music.

He prides the patience of his audiences, as they listen to him create his sounds, but more importantly, as they watch him create these sounds.

*Moretti leaves Cape Town in a month to return to his home in Italy and start on a European summer tour. While he’s never been to the United States, he hopes to make it to the home of The Aftermath Music in San Francisco soon, where we’ll be eagerly awaiting his arrival.

———-

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