In 2014 a young British producer and DJ released his first EP, 1992 EP. Then in 2015, he released another, 1000 EP, doubling down on a hypnotic, buzzing electronic sound that uses coiling synths and bluesy guitar tones to drive listeners towards an auditory cliff.
Ben Khan’s in your face, screeching style seemed to emanate from nowhere. There was no public figure – just a bare bones Soundcloud page and cryptic Tumblr. His aesthetic, a kaleidoscope of colors and a reverence for sharp, symmetrical patterns was captivatingly futuristic. This was music for flying cars.
Then he disappeared.
We haven’t heard anything from Ben Khan Since his last release, Blade (Tidal Wave of Love), which debuted on Soundcloud on August 4, 2015. In an age where people stockpile social media accounts, Khan has barely left a footprint. A shell of a Facebook profile remains – the last post is from August 4, 2015.
Before Ben Khan there was Jai Paul, a young British DJ, known for minimalist album art and a distilled brand of electronic music – bloated synths chewing over clapping drum loops. Despite only two official singles, one interview and a leaked album, he reached peak indie fame. Pitchfork listed Jai Paul’s Jasmine (Demo) as #32 on their list of the 200 best tracks of the decade so far (2010-2014).
Jai Paul keeps a low profile, surfacing now and then. Recently he announced the founding of the Paul Institute, a mysterious creative endeavor that says it’s interested in everyone from, “event planners to coders.” Jai Paul’s last official release? April 3 2013.
Several users on Reddit have accused Ben Khan of copying Jai Paul, both sonically, and for averting the public eye. As soon as Jai Paul resurfaces so will Ben Khan, jokes a commenter. With so much crossover, you can’t help but fudge the truth a bit in hopes you have the trappings of a conspiracy theory that would make Alex Jones wiggle with excitment.
What’s keeping them quiet? Are Ben Khan and Jai Paul crippled by the stifling expectation that mounts with creative success? The yips. Writer’s block. It has many names and takes many forms. Or is their reasoning more clairvoyant? Maybe they realize that against the backdrop of our current reality, a time when marketing feels like our species newest evolutionary adaptation, disappearing is more interesting than avid self promotion. In the absence of talk, we have what equates to a precious metal.
Whether or not Ben Khan or Jai Paul release music is obviously up to them. All we can do is wait, and in the meantime watch as their music seeps into the blogosphere, trickling into new releases, like Isaac Delusion’s Isabella, who’s languid guitar sounds eerily similar to a Ben Khan riff.