Five years ago I interviewed a young South African musician named Thor Rixon at a cafe in Cape Town. We’d been set up by a young woman in my music journalism class who was eager to introduce me to her friend and lead man of Sun-Do Q’lisi.
As I set up my GoPro for the interview, I felt a nervous energy run through my gut. I doubted my ability to interpret Sun-Do Q’lisi’s most recent project, an experiment with costumes, exaggerated grins, and synths that hummed like buzz saws.
“At the center of Sun-Do Q’lisi’s music is the desire for creativity and the pursuit of fun. Unlike many young bands that seem desperate to find a niche, Sun-Do Q’lisi dares to avoid being confined to any label. It may not even be out of rebellious defiance, but simply out of the pursuit of groundbreaking and thought provoking sound.” – BeatsForDinner (April 8, 2012)
Five years later, Thor reappeared in my news feed with his release, The Clown. Crammed into a soundproof cylinder with three other band mates, I watched Thor tap his way through a Get Physical live session.
It’s surreal to hear the development. Thor’s sound is more refined, spacious and light footed. He does more with less, allowing the music to settle into a nocturnal groove.
Looking back at my old South African blog post, I’m inspired by two things… Thor’s dedicated vision and the fact that we’re both still doing what we love.
“I challenged the plausibility of his funky music being accepted by a mainstream audience, Thor responded by saying ‘Obviously, we want to make this our career, but we don’t really have a plan like in two years time we want to be here or there. Lets put as much effort and time into it and see where it takes us.'”– BeatsForDinner (April 8, 2012)
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